Newsgroups: alt.rock-n-roll.oldies,rec.games.trivia From: hat@atsmail.gc.lucent.com (Howard A Teitelbaum) Subject: RESULTS and ANSWER KEY for Golden Oldies Lyrics Quiz #93 (GOLQ93) Message-ID: Organization: GOLQ, Inc. Date: Fri, 14 Jun 1996 20:23:09 GMT RESULTS and ANSWER KEY for GOLDEN OLDIES LYRICS QUIZ #93 Congratulations to the Barry/Scooter/Joe team and the Jamie/Norm team, who shared 1st place honors with perfect 500++ scores! In 3rd place was Really Rockin' in Boston, who finished out of gold-medal contention by the length of two tie-breakers. The Gypsy's Caravan turned in an excellent performance in finishing 4th, missing only 1 regular song. Just behind them were the Oldtunes team in 5th, who missed (essentially) only 1.5 regular songs and the tie-breakers. Team Schubert also did well, finishing 6th. As always, thanks to everyone for entering, and thanks for your comments! GOLQ#94, by Bob Bluestein & Marc Dashevsky, has been posted. _____________________________________________________________________________ After each score below are two characters representing the two tie-breakers: A "+" indicates a tie-breaker answered correctly; a "-" indicates partial credit; an "x" indicates a totally incorrect guess; a "." indicates no guess. Place ID # on Score Name team Age(s) T01 500++ BS Barry Silk, Scooter Magruder, Joe Haertel 3 40s T01 500++ JN Jamie Lubin & Norm Katuna 2 50,50 03 500.. RR Really Rockin' in Boston 5 40s-50 04 480++ GY The Gypsy's Caravan (Iris Shapiro, Lane Quigley, Tom Madden, Rich Brooks, Chris Stone) 5 21+ 05 468.. OT Mike Weaver, Ben Bagdonas, George Maclellan 3 49+ 06 390.. RK Rick & Kathy Schubert 2 43,47 07 320.. EJ The EJ'S & Co.: Ellis, Jake, Jeff, Steve, Molly, Vinnie, Denise, Bill, Tom, Nancy, Danda, Kim, Mitch, and Mark 14 30+ T08 310.. AS Team Asia (Mitch & Barry) 2 ?? T08 310.. JP Jyrki Ilva & Pekka Halonen 2 28,28 10 280.+ TP T.P. Uschanov 1 ?? T11 280.. CS Curt Miller, Steve Potter 2 47,48 T11 280.. GE The Genasys Team 5 various T13 260.. AK Alan V. Karr 1 37 T13 260.. WB Sanford Stein, Paul Hallaman (the Wicked Boys) 2 45 15 220.. MF Michael Flint 1 44 16 203x. DO The Dutch Officials 7 20s-30s T17 200.. BP Brian & Pam 2 50ish T17 200.. GR Gil Rodman 1 31 T17 200.. WV Wendy Vickers 1 40 20 170.. JC Jim Carson 1 24 21 160.. BT Bonnie Teitelbaum 1 46 22 159.. JB Jim Blake 1 42 23 150.. WM Will McCorry 1 38 24 147.. TO Tom O'Connor 3 30s 25 130.. DG The Old Folks at DG 5 various 26 129.. CO Team Corning 3 various T27 120.. DR Dwight Rounds ? ?? T27 120.. GC Gregory Chambers 1 43 T27 120.. HY Hymie! (Eric B. Hymowitz) 1 26 T27 120.. SR Sue Rosner 1 ?? T31 100.. DE David A. Ewing 1 40 T31 100.. EM Evelyn Martinez 1 45 33 80.. BG Bruce Long & Georgeann Lorentz 2 40s 34 70.. MP Marissa Jeaninne Polsky ? ?? 35 29.. MM Marc Meltzer 1 23 36 28.. MA Marc 1 34 ______________________________________________________________________________ The following table gives the individual scoring breakdown. For songs 01-25, a '.' is used to indicate that no guess was made for a question, whereas a zero indicates that a completely incorrect response was submitted. For tie-breakers (songs T1 & T2), a "+" indicates full credit, a "-" indicates partial credit, an "x" indicates incorrect guess, and a "." indicates no guess. Song# TT ID 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 12 -------------------------------------------------------------------------------- BS 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 ++ JN 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 ++ RR 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 .. GY 20 20 20 20 20 20 20 20 20 20 0 20 20 20 20 20 20 20 20 20 20 20 20 20 20 ++ OT 20 20 20 20 20 20 20 20 20 20 20 20 19 20 10 20 20 20 20 20 20 19 20 0 20 .. RK 20 20 20 20 20 20 20 0 20 20 20 . 10 20 20 20 20 20 0 . 20 20 20 0 20 .. EJ 20 20 20 . 20 . . . 20 20 10 20 10 . 20 . . 20 20 20 20 20 20 . 20 .. AS 20 20 20 20 20 0 0 0 20 0 0 20 0 20 20 10 0 20 20 0 20 20 20 0 20 .. JP 20 20 20 20 0 20 20 20 20 10 0 20 20 . 0 . 20 20 . 20 20 20 . 0 . .. TP 20 20 20 . 20 . 0 20 20 . . 20 20 . 20 20 . . . . 20 20 20 0 20 .+ CS 20 20 20 20 20 10 . . 20 . . . . . 10 20 20 20 . . 20 20 20 . 20 .. GE 20 20 20 20 20 . . . . . 20 20 . 20 . 20 20 . 20 . 20 20 . . 20 .. AK 20 20 20 . 20 . 20 . 20 20 . . . . 20 0 . . 20 . 20 20 . 20 20 .. WB 20 20 20 . 20 . . . 20 . 0 20 . . 20 . . 20 . 20 20 20 20 . 20 .. MF 20 20 0 . 20 . . . 20 . . 20 . . 20 . . 20 20 . 20 20 . . 20 .. DO 20 20 20 0 20 0 . . 20 0 20 0 0 0 . 0 3 . . . 20 20 20 . 20 x. BP 20 10 . 0 . . 20 . 20 20 . 20 . 20 . 20 . 10 . . 20 20 . . . .. GR 20 20 20 . 20 . . . . . . . 20 . 20 . . . . . 20 20 20 . 20 .. WV 20 20 . 20 . . . . 20 20 . . . . 20 . . . . . 20 20 20 . 20 .. JC 20 20 . . 20 . . . 20 . . . . . . 0 . 10 20 . 20 20 . . 20 .. BT 20 . 20 . . . . . . . . . . . 20 . . . 20 . 20 20 20 . 20 .. JB 20 20 20 . 19 . . . . . . . . . 20 . . . . . 20 20 . . 20 .. WM 20 20 . . 20 . . . 20 . . . . . . . . 10 . . 20 20 . . 20 .. TO 20 20 . . . . . . 0 . . 20 . . 20 . . 10 . . 20 20 . . 17 .. DG 20 20 20 . . . . . . . . . . . 10 . . . . . 20 20 . . 20 .. CO 20 20 . . . . . . . . . 20 . . 10 . . . . . 20 20 9 . 10 .. DR 20 20 20 . 20 . . . 20 . . . . . 20 . . . . . . . . . . .. GC 20 20 . . . . . . . . . . . . 20 . . . . . 20 20 . . 20 .. HY 20 20 20 . . . . . . . . . . . . . . . . . 20 20 . . 20 .. SR 20 20 . 20 . . . . . . . 20 . . . . . . . . 20 20 . . . .. DE 20 . . . 20 0 . . . . . . . . . . . . . . 20 20 . . 20 .. EM 20 20 0 . . . . . . . . . . . . . . . . . 20 20 . . 20 .. BG 20 20 20 . . . . . . . . . . . . . . . . . . 20 . . . .. MP 20 . . . . . . . 20 . . . . . . . . . . . 0 20 . . 10 .. MM 20 . . . . . . . . . . . . . . . . . . . . 9 . . . .. MA 8 10 . . . . . . . . . . . . . . . . . . . 10 . . . .. ______________________________________________________________________________ GOLDEN OLDIES LYRICS QUIZ #93 ANSWERS: Answers are in the form: #number) Artist: "Title" (year) [peak Pop] {peak R&B} where "peak Pop" = Peak position achieved on the weekly Billboard Pop chart "peak R&B" = Peak position on the weekly Billboard Rhythm & Blues chart -Billboard had no R&B chart from 30 Nov 63 thru 23 Jan 65, so "n/c" (no chart) is used for songs of this period. ----------------------------------------------------------------------------- Who's trippin' down the streets of the city? Smilin' at everybody she sees Who's reachin' out to capture a moment? #01) The Association: "Windy" (1967) [1] {-} [Spent 4 weeks atop the pop charts. Instrumental version by jazz guitarist Wes Montgomery charted later in '67 (pop #44, R&B #46). Jamie notes: Written by Ruthann Friedman, about her male lover, an original hippie, living in San Francisco's Haight-Ashbury district; it was originally written in waltz (3/4) time. The EJ's add: Produced by Bones Howe. The biggest hit, a million seller, for this Los Angeles-based group. Friedman originally wrote it as a waltz, but Howe requested a new arrangement with four beats to the bar. Taped at the end of a marathon recording session, The Association needed support to record the vocal chorus at the end; among those who chime in is songwriter Friedman who sings counter harmony in the fade.] She's ported and relieved and she's stroked and bored She'll do a hundred and forty in the top end floored #02) The Beach Boys: "Little Deuce Coupe" (1963) [15] {28} [T.P. Uschanov notes that the 2nd line should be: "WITH the top ...". [B-side of the #7 hit "Surfer Girl." The song title refers to the 1932 Ford ('32 = "thirty-deuce"), which was the first mass-market car with a V-8 engine (the flat-head variety, hence the "flat-head mill"), a feature previously only offered in luxury cars; this distinction has made the "deuce" popular among hot-rodders to this day. Jim Blake offers this additional glossary for the song: ported -- the air intakes on the carburetor have been enlarged stroked -- the length of the cylinders has been increased bored -- the diameter of the cylinders has been increased lake pipes -- extensions to the exhaust pipes that rise up in the air Finally, "pink slip" ("There's one more thing, I got the pink slip, daddy") refers to the certificate of title (i.e., if you have the pink slip, the car loan is paid off).] I'm an ol' poor boy and I'm a long way from home I'm an ol' poor boy and I'm a long way from home I'll never be happy, 'cause everything I ever did was wrong #03) The Beatles: "Matchbox" (1964) [17] {n/c} [Originally released by Carl Perkins in 1957 (with Jerry Lee Lewis on piano). Perkins is listed as the song's sole author, but it is actually a re-working of a 1920's blues of the same name by Blind Lemon Jefferson. In Perkins' "original," the analogous lyrics are: I'm an ol' poor boy a long way from home I'm an ol' poor boy a long way from home Guess I'll never be happy, everything I do is wrong Recorded in 5 takes on 1 June 1964, with Perkins, in the UK for a promotional tour, in the studio but not participating. Mixed to mono (from Take 5) on 4 June, and released in the UK on the "Long Tall Sally" EP on 19 June. In the US, it was released on the "Something New" LP in July 1964, and on a single (b/w "Slow Down") in August '64.] When we met, the world was bright Now I'm crying every night #04) Bob B. Soxx & The Blue Jeans: "Why Do Lovers Break Each Other's Heart?" (1963) [38] {-} [Produced by Phil Spector, who followed his common practice of putting an instrumental on the B-side, to keep DJs from flipping the record and diverting focus from the A-side; in this case, it was the curiously-named "Dr. Kaplan's Office." Phil also followed his other common practice of using Darlene Love's voice without label credit (see Barry's note below). Barry notes: Written by Phil Spector, Ellie Greenwich and Tony Powers. Bob B. Soxx was a studio name for Bobby Sheen, an R&B singer. But on this record, the featured singer should have been Darlene Love, who is the primary vocalist.] Woke up this morning I was feeling quite weird Had flies in my beard My toothpaste was smeared #05) The Byrds: "Mr. Spaceman" (1966) [36] {-} [Written by group's lead singer, Roger McGuinn.] I need you true I hope you do, too I'm telling you, darling I'll never let you go #06) The Chantels: "I Love You So" (1958) [42] {14} We'll never say goodbye He made a promise He'll never make me cry Every time we kiss good night Feels so good to hold him tight #07) The Chiffons: "I Have a Boyfriend" (1963/64) [36] {n/c} [Jamie & Barry both note: written by Jeff Barry, Ellie Greenwich & The Tokens.] Moonlit water will sing Of the tender love you'll bring We will be sweethearts Yes, forever #08) Fats Domino: "When My Dreamboat Comes Home" (1956) [14] {2} [Three versions charted in 1936/37: Guy Lombardo & His Royal Canadians (vocal by Lebert Lombardo), Henry Allen & His Orchestra, and Shep Fields & His Rippling Rhythm Orchestra. Kay Starr also charted with her 1953 version.] Breakfast where the news is read Television children fed Unborn, living, living dead Bullet strikes the helmet's head #09) The Doors: "The Unknown Soldier" (1968) [39] {-} [T.P. Uschanov notes: Probably not named for Vaino Linna's classic, twice-filmed 1954 novel about Finns in World War II.] She's gone and found somebody new He may be happy now, but soon ... #10) The Drifters: "I Count the Tears" (1960/61) [17] {6} [Written by the prolific team of Doc Pomus & Mort Shuman. Released in December 1960; features Ben E. King as lead singer, although he had already left the group for a solo career that summer. Recorded on 19 May 1960, along with "Save the Last Dance for Me" & "Nobody But Me" (A- & B-sides of their August '60 release) and "Sometimes I Wonder" (a June '62 A-side). By the time of the next Drifters recording session in February 1961, there were a number of personnel changes, most notably the addition of Rudy Lewis as the new lead. Lewis debuted as lead on their next single, "Some Kind of Wonderful," released in March '61. Given all the turmoil, it's not suprising that the liner notes for Atlantic Records' 1968 compilation, "The Drifters' Golden Hits," erroneously credit Lewis as the lead on "I Count the Tears". Alan Karr cites an (uncharted) cover by The Searchers. The Schuberts note: The Grass Roots copied "na na na-na-na-na Late at night" from this song and made it "sha la la-la-la-la Live for today."] She comes on like she's so high-class and well-bred But I never saw a girl with such a swelled head She's got herself a mighty long wait She thinks I'll ask her for a date #11) The Everly Brothers: "How Can I Meet Her?" (1962) [75] {-} [B-side of the #9 hit "That's Old Fashioned (That's the Way Love Should Be)." Barry notes it was written by Gerry Goffin and Jack Keller.] Money, I don't have any I'm down to my last penny But darling, don't cry over me #12) The 4 Seasons featuring the "Sound" of Frankie Valli: "Big Man in Town" (1964) [20] {n/c} [Written by Bob Gaudio of the group, who wrote most of their material.] Baby, baby, baby, baby, baby Don't you know my love is true Honey, honey, honey, honey, honey Get up off-a that money #13) Little Richard: "Ooh! My Soul" (1958) [31] {15} [T.P. notes: Plagiarized by Ritchie Valens as "Ooh My Head".] It hurts me so To see you when you're cryin' All he's doing, doing, doing, doing's Handing you a line #14) The Newbeats: "Break Away (From that Boy)" (1965) [40] {-} [Barry notes: Written by Louis Al Mathis and Marcus F. Mathis. The Mathis brothers constituted two-thirds of the Newbeats along with Larry Henley.] Do you ask why I'm sighing, my son? You shall inherit what mankind has done In a world filled with sorrow and woe If you ask me why this is so I really don't know #15) Peter, Paul & Mary: "Day Is Done" (1969) [21] {-} [Written by Peter (Yarrow). Covered in 1970 by Brooklyn Bridge (#98).] Well, if you ever go Darling, I'll be oh so lonely I'll be sad and blue Crying over you, dear, only #16) Elvis Presley: "Love Me" (1956/57) [2] {7} [T.P. mentions: Written by Jerry Leiber and Mike Stoller, who produced the original version - by Los Angeles ex-gospel singers Willy & Ruth - for their Spark label in 1954.] Woh-oh, give me back my ring, woh-oh Woh-oh, I ain't gonna let you keep a thing #17) Lloyd Price: "Where Were You (On Our Wedding Day)?" (1959) [23] {4} [Barry notes: Co-written by Lloyd Price along with Harold Patton and John Logan. Logan and Price also teamed to write "Stagger Lee", "I'm Gonna Get Married" and "Question".] Well, I'm his girl back home, and on a weekend leave I'm the very first one that he runs to see We find a lot of things to do But pretty soon, the weekend's through #18) Diane Renay: "Kiss Me Sailor" (1964) [29] {n/c} [Followup to her #6 hit "Navy Blue." Jamie adds: co-written by Eddie "Concrete & Clay" Rambeau; produced by Bob "Music To Watch Girls By" Crewe. Barry elaborates: Written by Edward Flurie (aka Eddie Rambeau) and Andrew Racheck. They also co-wrote Renay's other charted hit "Navy Blue" along with Bob Crewe. Barry once mentioned: He and Renay are both alumni of Northeast High School in Philadelphia.] Prince or pauper, beggar man or king Play the game with every blow you bring #19) The Rolling Stones: "Dandelion" (1967) [14] {-} [Written by Mick Jagger & Keith Richard.] I got a lock of your hair And a bullfrog's eye And if you break my heart You better say goodbye #20) Sam the Sham & The Pharaohs: "Ju Ju Hand" (1965) [26] {-} [Their release following "Wooly Bully," with a similar sound. Written by Domingo Samudio (a.k.a. "Sam the Sham").] I went hiking with Joe Spivey He developed poison ivy You remember Leonard Skinner He got ptomaine poisoning last night after dinner #21) Allan Sherman: "Hello Mudduh, Hello Fadduh! (A Letter from Camp)" (1963) [2] {-} [Sung to the melody of the 19th century composition "Dance of the Hours" by Amilcare Ponchielli. Sherman, whose real name was Allan Copelon, was a prominent comedy writer in the '50s (for Steve Allen, Jackie Gleason, and others), and created/produced the game show "I've Got a Secret." Bonnie T. notes that "Dance of the Hours" is from Ponchielli's opera "La Gioconda." The EJ's note that Lou Busch's orchestra provided the accompaniment, and, in the "brush with greatness" category, add: "EJ'S team member Jeff reports that his uncle was in a fraternity with Sherman."] Each night before you go to bed, my baby Whisper a little prayer for me, my baby #22) The Shirelles: "Dedicated to the One I Love" (1959,1961) [83,3] {-,2} [Co-written by Lowman Pauling of The "5" Royales, who originally recorded this song in 1958. The Shirelles learned this song while touring with the 'Royales, and issued their own version in 1959. The Shirelles' rendition became a major hit when re-issued in '61 on the heels of their #1 "Will You Love Me Tomorrow." This in turn prompted the re-issue of the "5" Royales' original, which charted for the first time at #81 in '61. The Mamas & The Papas' 1967 cover, used in GOLQ04, peaked at #2. Less notable covers by The Temprees (1972) and Bernadette Peters (1981) also charted. Jamie notes: Shirelles entered the R'N'R Hall Of Fame 1/96; just prior to that, Florence Greenberg (who'd discovered both them & The Kingsmen, wrote "Soldier Boy," etc.) passed away.] The reason why I ask this question I used to be the same old way When I decided to straighten up I found it was a little too late #23) Johnnie Taylor: "Who's Making Love" (1968/69) [5] {1} [Topped the R&B charts for 3 weeks. Instrumental version in '69 by Young-Holt Unlimited (of "Soulful Strut" fame); also recorded by The Blues Brothers (John Belushi & Dan Aykroyd). The EJs note: Written by Homer Banks, Bettye Crutcher, Don Davis, and Al Jackson; produced by Don Davis. A million-seller and #1 R&B hit. EJ'S team members Jeff and Jake note that Taylor was first a great gospel singer, a member of the Highway QC's and the Soul Stirrers. Sam Cooke was in both those groups, too, and it was Cooke who brought Taylor into the pop scene; Taylor's first solo recording was on Sar, Cooke's label, in 1961.] I was walkin' down the street When this boy started following me Though I ignored all the things he said He moved me in every way With his collar unbuttoned By my side he was struttin' #24) The Velvelettes: "He Was Really Sayin' Somethin'" (1965) [64] {21} [The Velvelettes were a second-tier Motown group who charted with this and "Needle in a Haystack," but never had a major hit (undeseverdly, IMHO). A 1982 cover by Bananarama bubbled under at #108. (I recall this cover getting a ton of airplay on early-'80s "progressive" rock stations.)] Some may come and some may go It will surely pass When the one that left us here Returns for us at last We are but a moment's sunlight Fading in the grass #25) The Youngbloods: "Get Together" (1967,1969) [62,5] {-,-} [I made a minor lyric error -- 2nd line should be: "WE will surely pass". Originally a #31 hit for We Five in 1965 as "Let's Get Together." The Youngbloods' version was a minor hit in the fall of '67, but a major one when re-released in '69 owing to the song's use in TV public service ads by the National Conference of Christians & Jews. Alan Karr notes that the song was written by Dino Valenti & Chet Powers, and mentions additional uncharted covers by Hamilton Camp in 1965 and Jefferson Airplane in 1966. The Schuberts note that The Youngbloods' lead singer was Jesse Colin Young (real name Perry Miller).] ------------------------------------------------------------------------------- TIE-BREAKERS: I said, "Now, sweetheart, why don't you be my wife?" Baby, that would be oh so nice For you and I were meant to be But that too you just can't see #T1) The Cleftones: "Why You Do Me Like You Do" (1956) [-] {-} [Written by Berman Patterson (of the group) and Joan Patterson. Barry adds that Berman co-wrote their song "Happy Memories." Title is misquoted as "Why Do You Do ..." in several references and re-issues; full credit was given for entries with the extra "Do" in the title! I remember when you fell from the eyes of my love You made me reconsider what I fool I've been And swear to God I'll stray no more by all the stars above #T2) The Flamingos: "Golden Teardrops" (1953) [-] {-} [Barry notes that it was written by Johnny Carter of the group, who also wrote "Jump Children" for the Flamingos. Jamie adds that Carter joined The Dells in 1960. T.P. notes: Lead singer Sollie McElroy, who really shines on this song, sadly died last year.] ------------------------------------------------------------------------------- The following table ranks the songs from most recognized to least recognized. The first column indicates the average number of points scored on that song (total points divided by number of entrants). For comparison purposes, tie-breakers are scored here on the usual 20-point scale. Avg. Song ---------------------------------------------------------------------------- 19.7 #01) The Association: "Windy" (1967) [1] {-} 18.8 #22) The Shirelles: "Dedicated to the One I Love" (1959,1961) [83,3] {-,2} 17.2 #02) The Beach Boys: "Little Deuce Coupe" (1963) [15] {28} 17.2 #21) Allan Sherman: "Hello Mudduh, Hello Fadduh! (A Letter from Camp)" (1963) [2] {-} 15.5 #25) The Youngbloods: "Get Together" (1967,1969) [62,5] {-,-} 12.2 #03) The Beatles: "Matchbox" (1964) [17] {n/c} 11.7 #09) The Doors: "The Unknown Soldier" (1968) [39] {-} 11.6 #05) The Byrds: "Mr. Spaceman" (1966) [36] {-} 11.1 #15) Peter, Paul & Mary: "Day Is Done" (1969) [21] {-} 8.9 #12) The 4 Seasons: "Big Man in Town" (1964) [20] {n/c} 8.6 #23) Johnnie Taylor: "Who's Making Love" (1968/69) [5] {1} 7.8 #18) Diane Renay: "Kiss Me Sailor" (1964) [29] {n/c} 6.7 #04) Bob B. Soxx & The Blue Jeans: "Why Do Lovers Break Each Other's Heart?" (1963) [38] {-} 6.7 #19) The Rolling Stones: "Dandelion" (1967) [14] {-} 5.8 #10) The Drifters: "I Count the Tears" (1960/61) [17] {6} 5.8 #16) Elvis Presley: "Love Me" (1956/57) [2] {7} 5.1 #17) Lloyd Price: "Where Were You (On Our Wedding Day)?" (1959) [23] {4} 5.0 #07) The Chiffons: "I Have a Boyfriend" (1963/64) [36] {n/c} 5.0 #14) The Newbeats: "Break Away (From that Boy)" (1965) [40] {-} 5.0 #13) Little Richard: "Ooh! My Soul" (1958) [31] {15} 4.4 #20) Sam the Sham & The Pharaohs: "Ju Ju Hand" (1965) [26] {-} 4.2 #06) The Chantels: "I Love You So" (1958) [42] {14} 4.2 #11) The Everly Brothers: "How Can I Meet Her?" (1962) [75] {-} 3.9 #08) Fats Domino: "When My Dreamboat Comes Home" (1956) [14] {2} 2.8 #24) The Velvelettes: "He Was Really Sayin' Somethin'" (1965) [64] {21} 2.2 #T2) The Flamingos: "Golden Teardrops" (1953) [-] {-} 1.7 #T1) The Cleftones: "Why You Do Me Like You Do" (1956) [-] {-} * These songs were MORE recognized than I expected: 7.8 #18) Diane Renay: "Kiss Me Sailor" (1964) [29] {n/c} 5.0 #14) The Newbeats: "Break Away (From that Boy)" (1965) [40] {-} * These songs were LESS recognized than I expected: 8.9 #12) The 4 Seasons: "Big Man in Town" (1964) [20] {n/c} 5.8 #10) The Drifters: "I Count the Tears" (1960/61) [17] {6} 5.8 #16) Elvis Presley: "Love Me" (1956/57) [2] {7} 3.9 #08) Fats Domino: "When My Dreamboat Comes Home" (1956) [14] {2} Each song was solved by at least 3 entrants (including tie-breakers). For whatever it's worth, this quiz featured 0.5 recycled songs (song #22 was used previously, but by a different artist). -- Howard Teitelbaum (hat@bell-labs.com)